confessions

scapegoat

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the ghost of you

scapegoat
mcr in three cheers for sweet revenge albumundeki en iyi $arkilarindandir.sozleri $u $ekildedir;



i never, said i’d lie and wait forever
if i died we’d be together now
i can’t always just forget her
but she could try

at the end of the world
or the last thing i see
you are
never coming home
never coming home
could i?
should i?
and all the things that you never ever told me
and all the smiles that are ever ever...

ever...
get the feeling that you’re never
all alone and i remember now
at the top of my lungs in my arms she dies
she dies

at the end of the world
or the last thing i see
you are
never coming home
never coming home
could i?
should i?
and all the things that you never ever told me
and all the smiles that are ever gonna hug me
never coming home
never coming home
could i?
should i?
and all the wounds that are ever gonna scar me
for all the ghosts that are never gonna catch me

if i fall...
if i fall...
down

at the end of the world
or the last thing i see
you are
never coming home
never coming home
never coming home
never coming home
and all the things that you never ever told me
and all the smiles that are ever gonna haunt me
never coming home
never coming home
could i....
should i?
and all the wounds that are ever gonna scar me
for all the ghosts that are never gonna.....

i m not okay

scapegoat
my chemical romance i tanimama sebebiyet veren, $arkinin kendisiyle sozleriyle,melodisiyle ve klibiyle yaran bir $arkidir.three cheers for sweet revenge albumunun demirba$larindandir.sozleri ise $u $ekildedir;



well if you wanted honesty, that’s all you had to say
i never want to let you down or have you go
it’s better off this way
for all the dirty looks
the photographs your boyfriend took
remember when you broke your foot
from jumping out the second floor

i’m not okay
i’m not okay
i’m not okay
you wear me out

what will it take to show you that it’s not the life it seems
(i’m not okay)
i’ve told you time and time again
you sing the words but don’t know what it means
to be a joke and look
another line without a hook
i held you close as we both shook for the last time
take a good hard look

i’m not okay
i’m not okay
i’m not okay
you wear me out

forget about the dirty looks
the photographs your boyfriend took
you said you’d read me like a book
but the pages are all torn and frayed

i’m okay
i’m okay
i’m okay, now
(i’m okay, now)

but you really need to listen to me
because i’m telling you the truth
i mean this, i’m okay
(trust me)

i’m not okay
i’m not okay
well, i’m not okay
i’m not o-fucking-kay
i’m not okay
i’m not okay
(okay)

you know wat they do to guys like us in prison

scapegoat
mcr in ironik bir $arkisidir.three cheers for sweet revenge albumundendir.sozleri $u $ekildedir;



in the middle of a gun fight
in the center of a restaurant
they say "come with your arms raised high"
well they’re never gonna get me
like a bullet through a flock of doves
to wage this war against your faith in me
your life will never be the same
on your mother’s eyes say a prayer
say a prayer!

now! but i can’t, and i don’t know
how we’re just two men as god had made us
well who cares?. well i care!
too much, too late or just not enough of this
pain in my heart for your dying wish
i’ll kiss your lips again!

they all cheat at cards
and the checkers are lost
my cellmate’s a killer
they make me do push-ups in drag
but nobody cares if you’re losing yourself
am i losing myself?
and well i miss my mom!
will they give me the chair?
or lethal injection
or swing from a rope, if you dare!
oh, nobody knows all the trouble i’ve seen

now! but i can’t, and i don’t know
how we’re just two men as god had made us
well who cares?, well i care!
too much, too late, or just not enough of this
pain in my heart for your dying wish
i’ll kiss your lips again!

to your room, what they ask of you
will make you want to say
so long!
but i don’t remember
why remember. . . . you?!

do you have the keys to the hotel?
cause i’m gonna set the mother fucker on fire!

life is but a dream!
for the dead
and well i won’t go down by myself
but i’ll go down with my friends!
(now x16)
(giggle)

to the end

scapegoat
mcr in three cheers for sweet revenge adli albumunden bir $arkidir.sozleri $oyledir;




he calls the mansion not a house, but a tomb,
he’s always choking from the stench and the fume,
the wedding party all collapsed in the room,
so send my resignation to the bride and the groom.

let’s go down!
this elevator only goes up to ten,
he’s not around,
he’s always looking at men.
down by the pool,
he doesn’t have many friends,
as they are,
face down and bloated
snap a shot with the lens!

if you marry me,
would you bury me?
would you carry me,
to the end?

(say goodbye)
to the vows you take,
(say goodbye)
to the life you make,
(say goodbye)
to the hearts you break,
and all the cyanide that you drank.

she keeps a picture of the body she lends,
got nasty blisters from the money she spends,
she’s got a life of her own and it shows by the benz,
she drives at 90 by the barbies and kens!

if you ever say never too late,
i’ll forget all the diamonds you ate.
lost in coma and covered in cake,
increase the medication,
share the vows at the wake!
if you marry me,
would you bury me?
would you carry me,
to the end...


(say goodbye)
to the vows you take,
(and say goodbye)
to the life you make,
(and say goodbye)
to the hearts you break,
and all the cyanide that you drank.

(say goodbye)
to the last parade,
(and walk away)
from the choice you made,
(and say goodnight)
to the hearts you break,
and all the cyanide that you drank.

(say goodbye)
to the vows you take,
(say goodbye)
to the life you make,
(say goodbye)
to the hearts you break,
and all the cyanide that you drank.

(and say goodbye)
to the last parade,
(and walk away)
from the choice you made,
(and say goodnight)
to the hearts you break,
and all the cyanide that you drank.

to the last parade,
when the parties fade,
and the choice you made,
to the end…

give em hell kid

scapegoat
my chemical romance in three cheers for sweet revenge adli albumundeki 2. parcasidir.sozleri $oyledir;



oh baby here comes the sound!
i took a train outta new orleans and they shot me full of ephedrine.
this is how we like to do it in the murder scene.
can we settle up the score?

if you were here,
i’d never have a fear.
so go on live your life.
but i miss you more than i did yesterday.
(you’re beautiful.)

well i’m a total wreck and almost every day.
like the firing squad or the mess you made.
well don’t i look pretty walking down the street.
in the best damn dress i own?

if you were here,
i’d never have a fear.
so go on live your life.
but i miss you more than i did yesterday.
you’re so far away.
so c’mon show me how.
‘cause i mean this more than words can ever say.

we are, made from the sharpest things you’d say.
we are young and we don’t care.
your dreams and your hopeless hair.
we never wanted it to be this way.
for all our lives.
do you care at all?

if you were here,
i’d never have a fear.
so go on live your life.
but i miss you more than i did yesterday.
you’re so far away.
so c’mon show me how.
‘cause i mean this more than words can ever say.

helena

scapegoat
my chemical romance in three cheers for sweet revenge albumunun en iyi parcalarindan biridir.sozleri $u $ekildedir;



long ago
just like the hearse you died to get in again
we are...
so far from (in a whisper) you

burning on, just like the match you strike to (drags note out) incinerate...
the lives
of everyone you know
and what’s the worst you take? (worst you take)
from every heart you break (heart you break)
and like a blade you stake(blade you stake)
well, i’ve been holding on tonight

(chorus 1)
what’s the worst that i can say?
things are better if i stay
so long and goodnight
so long and goodnight

came a time
when every star fall brought you to tears again
we are,
the very hurt you sold
and what’s the worst you take? (worst you take)
from every heart you break (heart you break)
and like a blade you stake(blade you stake)
well, i’ve been holding on tonight

(chorus 2)
what’s the worst that i can say?
things are better if i stay
so long and goodnight
so long and goodnight

well if you carry on this way
things are better if i stay
so long and goodnight
so long and goodnight

can you hear me?
are you near me?
do we deserve, to leave the earth
we’ll meet again
when both our hearts collide

(chorus 2)

three cheers for sweet revenge

scapegoat
my chemical romance in 8 haziran 2004 reprise records etiketiyle piyasaya surdugu albumdur,bu albumle amerika da buyuk bir une kavu$lardir.albumde one cikan sarkilar; helena, i m not okay(i promise), cemetery drive ve the ghost of you dur.albumdeki $arkilar ise sirasiyla $u $ekildedir;



1. helena
2. give em hell kid
3. to the end
4. you know wat they do to guys like us in prison
5. i m not okay (i promise)
6. the ghost of you
7. the jetset life is gonna kill you
8. interlude
9. thank you for the venom
10. hang em high
11. it s not a fashion statement it s a deathwish
12. cemetery drive
13. i never told you what i do for a living


album cikarkenki grup kadrosu $u $ekildedir;

gerard way-vokal
ray toro-lead gitar,backvokal
frank lero-ritm gitar,backvokal
mikey way-bas gitar
matt pelissier-davul

demolotion lovers

scapegoat
my chemical romance in ilk ciktigi donemlerde adindan soz ettirmesini ba$armasini saglayan i brought you my bullets you brought me your love albumunde bulunan $arkidir.grubun en iyi $arkilarindandir.sozleri ise $oyledir;



hand in mine, into your icy blues
and then i’d say to you we could take to the highway
with this trunk of ammunition too
i’d end my days with you in a hail of bullets

i’m trying, i’m trying
to let you know just how much you mean to me
and after all the things we put each other through and

i would drive on to the end with you
a liquor store or two keeps the gas tank full
and i feel like there’s nothing left to do
but prove myself to you and we’ll keep it running

but this time, i mean it
i’ll let you know just how much you mean to me
as snow falls on desert sky
until the end of everything
i’m trying, i’m trying
to let you know how much you mean
as days fade, and nights grow
and we grow cold

until the end, until this pool of blood
until this, i mean this, i mean this
until the end of...

i’m trying, i’m trying
to let you know how much you mean
as days fade, and nights grow
and we go cold

but this time, we’ll show them
we’ll show them all how much we mean
as snow falls on desert sky
until the end of every...

all we are, all we are
is bullets i mean this
all we are, all we are
is bullets i mean this
all we are, all we are
is bullets i mean this
all we are, all we are
is bullets i mean this

as lead rains, will pass on through our phantoms

forever, forever
like scarecrows that fuel this flame we’re burning
forever, and ever
know how much i want to show you you’re the only one
like a bed of roses there’s a dozen reasons in this gun

and as we’re falling down, and in this pool of blood
and as we’re touching hands, and as we’re falling down
and in this pool of blood, and as we’re falling down
i’ll see your eyes, and in this pool of blood
i’ll meet your eyes, i mean this forever

cubicles

scapegoat
ilginc bir my chemical romance $arkisidir, i brought you my bullets you brought me your love adli albumunde yayinlanmi$tir.sozler $u $ekildedir;




it’s the tearing sound of love-notes
casting out the gray stained windows
and the view outside is sterile
but i’m only two cubes down
i’ll photocopy all the things that we could be
if you took the time to notice me
but you can’t now, i don’t blame you
and it’s not your fault that no one ever does

[chorus]
but you don’t work here anymore
its just a vacant 3 by 4
and they might fill your place
a temporary stand-in for your face

this happens all the time
and i can’t help but think i’ll die alone

so i’ll spend my time with strangers
a condition that is terminal
in this water-cooler romance
and its coming to a close
we could be in the park and dancing by a tree
kicking over blades we see
or a dark beach with a black view
as pin-pricks in the velvet break our fall

[chorus]

i know you don’t work here anymore,
i know you don’t work here anymore,
i know you don’t work here anymore,
i know you don’t work here anymore,
i know you don’t work here anymore,
i know you don’t work here anymore,
sometimes i think i’ll die alone,
sometimes i think i’ll die alone,
sometimes i think i’ll die alone,
live and breathe and die alone,
sometimes i think i’ll die alone,
sometimes i think i’ll die alone,
sometimes i think i’ll die alone,
i’d think i’d love to die alo-

just say, i think i’d love to die
way down, i think i’d love to die
just say, i think i’d love to die
way down, i think i’d love to die alone

i think i’d love to die alone,
i think i’d love to die alone,
i think i’d love to die alone,
live and breathe and die alone,
i think i’d love to die alone,
i think i’d love to die alone,
i think i’d love to die alone,
i’d think i’d love to die alo-

i think i’d love to die alone

this is the bast day ever

scapegoat
sozleri gercekten cok iyi olan, i brought you my bullets you brought me your love albumunden bir my chemical romance $arkisidir.sozler $oyledir;



and we can run, from the backdrop of these gears and scalpels
at every hour goes the tick-tock bang of monitors as
they stared us down when met in the emergency room
and in our beds, i could hear you breathe with help from cold
machines

every hour, on the hour, they drew blood

well i felt i couldn’t take, another day inside this place
from silent dreams we never wake, and in this promise that we’ll
make
starless eyes for heaven’s sake, but i hear you anyway
well i thought i heard you
say i like you, we can get out
we don’t have to stay, stay inside this place


someday, this day, we kept falling down
someday, this day, set the ferris wheel ablaze
you left my heart an open wound
and i love you for
this day, someday we kept falling down
one day, this day all we had to keep us safe
and if we never sleep again, it would never end
well i thought i heard you say to me
we’ll go so far, far as we can
and i just can’t stay, one day we’ll run away

early sunsets over monroeville

scapegoat
my chemical romance in i brought you my bullets you brought me your love adli albumunden ho$ bir parcadir.sozleri $u $ekildedir;



late dawns and early sunsets, just like my favorite scenes
then holding hands and life was perfect, just like up on the
screen
and the whole time while always giving
counting your face among the living

up and down escalators, pennies and colder fountains
elevators and half price sales, trapped in by all these
mountains
running away and hiding with you
i never thought they’d get me here
not knowing you changed from just one bite
i fought them all off just to hold you close and tight

but does anyone notice?
but does anyone care?
and if i had the guts to put this to your head...
but would anything matter if you’re already dead?
and should i be shocked now by the last thing you said?
before i pull this trigger,
your eyes vacant and stained...

but does anyone notice?
but does anyone care?
and if i had the guts to put this to your head...
and would anything matter if you’re already dead?
and now should i be shocked by the last thing you said?
before i pull this trigger,
your eyes vacant and stained...
and in saying you loved me,
made things harder at best,
and these words changing nothing
as your body remains,
and there’s no room in this hell,
there’s no room in the next,
and our memories defeat us,
and i’ll end this direst.

but does anyone notice?
but does anyone care?
and if i had the guts to put this to your head...
but does anything matter if you’re already dead?
and should i be shocked now by the last thing you said?
before i pull this trigger,
your eyes vacant and stained...
and in saying you loved me,
made things harder at best,
and these words changing nothing
as your body remains,
and there’s no room in this hell,
there’s no room in the next,
but does anyone notice there’s a corpse in this bed?

skylines and turnstiles

scapegoat
my chemical romance isimli grubun, i brought you my bullets you brought me your love adli albumunden bir parcadir.sozleri $u $ekildedir;




you’re not in this alone
let me break this awkward silence
let me go, go on record
be the first to say i’m sorry
be the first, to let you take me down
then you lay me out
and if the world needs something better
let’s give them one more reason now

we walk in single file
we light up rails and punch our time
ride escalators colder than a cell
[chorus]

this broken city sky like butane on my skin
and stolen from my eyes
hello angel tell me where are you
tell me where we go from here
[repeat]
and in this moment we can’t close the lids on burning eyes
our memories blanket us with friends we know like fallout
vapor
steel corpses stretch out towards and ending sun scorched and
black
it reaches in and tears your flesh apart
with ice cold hands and grabs a hold of your heart
that’s if you’ve still got one that’s left inside that cave you
call a chest
and after seeing what we saw, can we still proclaim our
innocence
and if the world needs something better
let’s give them one more reason now
[chorus]

headfirst for halos

scapegoat
my chemical romance in 2002 ciki$li i brought you my bullets you brought me your love albumunden bir parcadir.sozler $u $ekildedir;




well let’s go back to the
middle of the day that starts it all
i can’t begin to let you know just what i’m feeling
and now the red ones make me fly
and the blue ones help me fall
and i think i’ll blow my brains against the ceiling
and as the fragments of my skull begin to fall
fall on your tongue like pixie dust
just think happy thoughts

[chorus]
and we’ll fly home
we’ll fly home
you and i
we’ll fly home

come on!

well now i’m back in the
middle of the day that starts it all.
well i can’t begin to let you know just what i’m feeling.
and now these red ones make me fly,
and the blue ones help me fall.
and i think i’ll blow my brain against the ceiling.

and we’ll fly home,
we’ll fly home,
you and i,
we’ll fly home.

now honestly that’s what i said to her, what i said to her

think happy thoughts. [x8]

our lady of sorrows

scapegoat
my chemical romance in i brought you my bullets you brought me your love albumunden bir $arkidir.sozleri boyledir;




we could be perfect one last night
and die like star-crossed lovers when we fight
and we can settle this affair
if you would shed your yellow take my hand
and then we’ll solve the mystery of laceration gravity
this riddle of revenge
please understand it has to be this way

[chorus]
stand up fucking tall
don’t let them see your back
take my fucking hand
and never be afraid again

we’ve only got once chance to put this at an end
and cross the patron saint of switchblade fights
you said we’re not celebrities,
we spark and fade, they die by threes
i’ll make you understand
and you can trade me for an apparition

[chorus]
stand up fucking tall
don’t let them see your back
take my fucking hand
and never

trust, you said
who put the words in your head
oh how wrong we were to think
that immortality meant never dying

stand
take my fucking hand
take my fucking...

[chorus]
stand up fucking tall
don’t let them see your back
take my fucking hand
and never be afraid again

drowning lessons

scapegoat
my chemical romance in i brought you my bullets you brought me your love albumunden bir ba$ka güzel sarkidir.sozler $u $ekildedir;




without a sound i took her down
and dressed in red and blue i squeezed
imaginary wedding gown
that you can’t wear in front of me
a kiss goodbye, your twisted shell
as rice grains and roses fall at your feet
lets say goodbye, the hundreth time
and then tomorrow we’ll do it again

i dragged her down i put her out
and back there i left her where no one could see
and lifeless cold into this well
i stared as this moment was held for me
a kiss goodbye, your twisted shell
as rice grains and roses fall at your feet
lets say goodbye, the hundreth time
and then tomorrow we’ll do it again

i never thought it’d be this way
just me and you, we’re here alone
and if you stay, all i’m asking for is
a thousand bodies piled up
i never thought would be enough
to show you just what i’ve been thinking

and i’ll keep on making more
just to prove that i adore
every inch of sanity
all i’m asking for is, all i’m asking for is

come on!
these hands stained red
from the times that i’ve killed you and then
we can wash down this engagement ring
with poison and kerosene
we’ll laugh as we die
and we’ll celebrate the end of things
with cheap champagne

without, without a sound
without, without a sound
and i wish you away
without, without a sound
and i wish you away
without, without a sound
and i wish you away
without, without a sound
and i wish you away
42 /

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